He would come on Sunday, after church, with ruddy cheeks and bared chest, bringing with him the scent of the country. She would set the table and they would sit down opposite each other, and eat their dinner; she ate as little as possible, herself, to avoid any extra expense, but would stuff him so with food that he would finally go to sleep. At the first stroke of vespers, she would wake him up, brush his trousers, tie his cravat and walk to church with him, leaning on his arm with maternal pride. “Can it be that they are presenting us with all that?” Charmian whispered.!

P.S. Well, anyway, I’ve cured the chronometer. After knocking about the sea for eight squally, rainy days, most of the time hove to, I succeeded in catching a partial observation of the sun at midday. From this I worked up my latitude, then headed by log to the latitude of Lord Howe, and ran both that latitude and the island down together. Here I tested the chronometer by longitude sights and found it something like three minutes out. Since each minute is equivalent to fifteen miles, the total error can be appreciated. By repeated observations at Lord Howe I rated the chronometer, finding it to have a daily losing error of seven-tenths of a second. Now it happens that a year ago, when we sailed from Hawaii, that selfsame chronometer had that selfsame losing error of seven-tenths of a second. Since that error was faithfully added every day, and since that error, as proved by my observations at Lord Howe, has not changed, then what under the sun made that chronometer all of a sudden accelerate and catch up with itself three minutes? Can such things be? Expert watchmakers say no; but I say that they have never done any expert watch-making and watch-rating in the Solomons. That it is the climate is my only diagnosis. At any rate, I have successfully doctored the chronometer, even if I have failed with the lunacy cases and with Martin’s yaws. “Get out of the way! I’m coming!” I shout, frantically dashing my cap at the winged vipers around me.

The only relief from the flumes was the precipices; and the only relief from the precipices was the flumes, except where the ditch was far under ground, in which case we crossed one horse and rider at a time, on primitive log-bridges that swayed and teetered and threatened to carry away. I confess that at first I rode such places with my feet loose in the stirrups, and that on the sheer walls I saw to it, by a definite, conscious act of will, that the foot in the outside stirrup, overhanging the thousand feet of fall, was exceedingly loose. I say “at first”; for, as in the crater itself we quickly lost our conception of magnitude, so, on the Nahiku Ditch, we quickly lost our apprehension of depth. The ceaseless iteration of height and depth produced a state of consciousness in which height and depth were accepted as the ordinary conditions of existence; and from the horse’s back to look sheer down four hundred or five hundred feet became quite commonplace and non-productive of thrills. And as carelessly as the trail and the horses, we swung along the dizzy heights and ducked around or through the waterfalls. “That’s all very well,” my literal mind continues, “If I were in Greenwich I might be in yesterday. Strange things happen in Greenwich. But I know as sure as I am living that I am here, now, in to-day, June 7, and that I took the sun here, now, to-day, June 7. Therefore, I must correct the sun here, now, to-day, June 7.” Madame Aubain had married a comely youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing beneath a barometer, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden.